Post by Rich on Feb 23, 2008 0:10:04 GMT -6
I picked up another stray a couple of years ago, pretty much by accident. It was hanging on the wall at our local Sam Ash store, back when I would still go there.. (It has been at least a year since my last visit).
Anyhow, I went strolling in to see what their offering du jour was, and (as usual) was unimpressed. I walked around the guitar section, looking at all the guitars, and there was a Lester hanging there with a strap attached. This piqued my curiosity, as normally there wouldn't be a strap on a guitar that was hanging on the wall..
I pulled it down, and it looked as if it had been left in a sandbox or something.. Talk about a filthy instrument.. Anyhow, the strap was one of those cheapo ones that looks like a seat belt from a '74 Pinto, complete with a plastic buckle. It had been screwed into the body with a washer and a drywall screw. I almost put it back, but I noticed it had a pair of soapbar P-90's, and it was a "Limited Edition" Studio model in tobacco burst. I wasn't sure if I could resurrect the looks of the guitar, and thoughts of getting a tetanus shot prior to playing it raced through my mind.. (Truth be told, I have a phobia about playing somebody else's filthy guitar. Reminds me of borrowing a stranger's toothbrush).
Anyway, I noticed it was all original except the "straplock" arrangement, and decided to plug it into a Twin Reverb, which was similar to my own. After commandeering a polish cloth and some spray cleaner from the sales guy, I did a little cleaning- and the finish must have been protected by some of the grime. There were superficial scratches, a couple of minor dings, no pickguard.. typical signs of neglect, but nothing insurmountable.
Once it was clean enough to see past the dirt, I plugged it in and started playing.. the pickups were typical modern Gibson P-90's (which I dislike), the strings were rusted, the neck had a huge forward bow, and it wouldn't stay in tune. However, the neck was chunky and comfortable, the hardware was in pretty good shape, and I tried to dislike it. Unsuccessfully. An hour and a half passed, and I was still there, playing it...
So it sort of followed me home. Obviously, it needed some major work, but it had "something" about it.. I wasn't even looking for a guitar- I have more than enough of them.. but ..
I brought it home, disassembled it, gave it a bath, touched up the finish problems, ordered a pickguard and Kluson tuners (they look the same as originals, but I hoped they would be better than the Gibsons) and started looking for different pickups on Ebay. Those P-90's were so muddy and lifeless- the guitar was just begging for a pair of mini humbuckers...
Long story short, I spent weeks buying up all the old Gibson minis I could find.. I wound up buying six of them, all from the late '60's and early '70's. This was a little bit nuts, but I figured I could always use some minis in the neck spot of telecasters.. one of my favorite combinations. Once I had enough pickups to choose a good pair, I started trying a bunch of combinations. Each pickup sounded different, but most of them were "OK".. Then I accidentally got one that was different.. a '72 mini from a Firebird. I paired that in the neck spot with a '72 from a Goldtop Deluxe in the bridge. Holy crap!!! The guitar absolutely came alive!!
The Kluson tuners fit the original holes, and were marginally better than the Gibsons, but I was still plagued with tuning issues. I ordered a set of Gotoh reproduction Klusons (again identical to the originals), installed those, and they have been fine. The black pickguard arrived, and I procured some black pickup surrounds to replace the cream ones. Much better look with the darker colors of the burst finish.
After a thorough setup, fret level/crown, truss rod tweak (major adjustment), new pickups, cleaning, tuners, and tons of elbowgrease, it only needed one more thing.. A "Deluxe" truss rod cover... Sure, it started out as a studio, but it was really creeping into some Deluxe territory by this time. It doesn't have all the fancy binding, but the trapezoid inlays are gorgeous. the maple top, mahogany neck and body, and rosewood board really make for a great sounding, great looking axe.
I played it for a while, but I'm so accustomed to T style guitars that I put it away for a rainy day.. Well- the day was yesterday.
I pulled it out of storage, and took it for a spin. And kept playing it. What a monster guitar! Sure, I spent too much time on it, and way too much money... but it is such a unique instrument, and very versatile. I'll probably never gig with it, as too many folks around here know who I am and what I do- but I'm a closet Lester lover..
It has me thinking about building a T style with a carved top, short scale, flatter radius, and a pair of mini buckers.. I wonder if that's cheating..
Anyhow, I went strolling in to see what their offering du jour was, and (as usual) was unimpressed. I walked around the guitar section, looking at all the guitars, and there was a Lester hanging there with a strap attached. This piqued my curiosity, as normally there wouldn't be a strap on a guitar that was hanging on the wall..
I pulled it down, and it looked as if it had been left in a sandbox or something.. Talk about a filthy instrument.. Anyhow, the strap was one of those cheapo ones that looks like a seat belt from a '74 Pinto, complete with a plastic buckle. It had been screwed into the body with a washer and a drywall screw. I almost put it back, but I noticed it had a pair of soapbar P-90's, and it was a "Limited Edition" Studio model in tobacco burst. I wasn't sure if I could resurrect the looks of the guitar, and thoughts of getting a tetanus shot prior to playing it raced through my mind.. (Truth be told, I have a phobia about playing somebody else's filthy guitar. Reminds me of borrowing a stranger's toothbrush).
Anyway, I noticed it was all original except the "straplock" arrangement, and decided to plug it into a Twin Reverb, which was similar to my own. After commandeering a polish cloth and some spray cleaner from the sales guy, I did a little cleaning- and the finish must have been protected by some of the grime. There were superficial scratches, a couple of minor dings, no pickguard.. typical signs of neglect, but nothing insurmountable.
Once it was clean enough to see past the dirt, I plugged it in and started playing.. the pickups were typical modern Gibson P-90's (which I dislike), the strings were rusted, the neck had a huge forward bow, and it wouldn't stay in tune. However, the neck was chunky and comfortable, the hardware was in pretty good shape, and I tried to dislike it. Unsuccessfully. An hour and a half passed, and I was still there, playing it...
So it sort of followed me home. Obviously, it needed some major work, but it had "something" about it.. I wasn't even looking for a guitar- I have more than enough of them.. but ..
I brought it home, disassembled it, gave it a bath, touched up the finish problems, ordered a pickguard and Kluson tuners (they look the same as originals, but I hoped they would be better than the Gibsons) and started looking for different pickups on Ebay. Those P-90's were so muddy and lifeless- the guitar was just begging for a pair of mini humbuckers...
Long story short, I spent weeks buying up all the old Gibson minis I could find.. I wound up buying six of them, all from the late '60's and early '70's. This was a little bit nuts, but I figured I could always use some minis in the neck spot of telecasters.. one of my favorite combinations. Once I had enough pickups to choose a good pair, I started trying a bunch of combinations. Each pickup sounded different, but most of them were "OK".. Then I accidentally got one that was different.. a '72 mini from a Firebird. I paired that in the neck spot with a '72 from a Goldtop Deluxe in the bridge. Holy crap!!! The guitar absolutely came alive!!
The Kluson tuners fit the original holes, and were marginally better than the Gibsons, but I was still plagued with tuning issues. I ordered a set of Gotoh reproduction Klusons (again identical to the originals), installed those, and they have been fine. The black pickguard arrived, and I procured some black pickup surrounds to replace the cream ones. Much better look with the darker colors of the burst finish.
After a thorough setup, fret level/crown, truss rod tweak (major adjustment), new pickups, cleaning, tuners, and tons of elbowgrease, it only needed one more thing.. A "Deluxe" truss rod cover... Sure, it started out as a studio, but it was really creeping into some Deluxe territory by this time. It doesn't have all the fancy binding, but the trapezoid inlays are gorgeous. the maple top, mahogany neck and body, and rosewood board really make for a great sounding, great looking axe.
I played it for a while, but I'm so accustomed to T style guitars that I put it away for a rainy day.. Well- the day was yesterday.
I pulled it out of storage, and took it for a spin. And kept playing it. What a monster guitar! Sure, I spent too much time on it, and way too much money... but it is such a unique instrument, and very versatile. I'll probably never gig with it, as too many folks around here know who I am and what I do- but I'm a closet Lester lover..
It has me thinking about building a T style with a carved top, short scale, flatter radius, and a pair of mini buckers.. I wonder if that's cheating..